List of Preformed Compositions

Category	Name of Composition	Year	Instrumentation	Pages	See Footnotes # at bottom of page
A Cappella	Des Menschen Seele gleicht dem Wasser	1987	SATB	27	1
Instrumental	Atlantis for guitar & clarinet [recorder]	1983	Guitar & Clarinet [recorder]	15	2
	Cantus for violin	1977 (1971)	Violin	13	3
	Cantus for violin	1970	Violin	11	4
	Duet no.1&2 for Cello and Piano	1965 &1967	Cello & Piano	8	5
	Four studies for piano	1964	Piano	8	6
	Immersion for saxophone	1987	Saxophone	17	7
	Match for piano	1989	Piano	51	8
	Monologue interiéur	1968	Violin & Horn	6	9
	Perturbations	1979/81	Chamber Orchestra	59	10
	Piano piece no. 1	1967	Piano	7	11
	Radiation	1966/67	Clarinet (Bb), Bass Clarinet (Bb), Soprano and Tenor Saxophones (Bb), 2 trumpets (C), 2 trombones, 2 (identical) percussion sections, Viola, Violoncello, and Double Bass	30	12
	Reflections for brass quintet	1983	Brass Quintet	29	13
	Screening	1985	Flute & Percussion	28	14
	Soliloquy for double bass	1984	Double Bass	13	15
	Time Points for strings [no. 1 & 2]	1966	Double String Quartet	37	16
	Vienne la nuit sonne l'heure	1968	Clarinet, Cello & Percussion	13	17
	Woodwind Quintet	1967;1972	Flute, Oboe, Clarinet, Bass Clarinet, Bassoon	30	18
Instruments with voice	Ils sont heureux	1969	Baritone, Trombone, and Piano	13	19
	Klage for voice and vc.	1968	Alto Voice and Violoncello	6	20
	Song for voice and piano	1965	Voice & Piano	7	21
	Vocalise	1982	Soprano, Cello & Percussion	32	22
	Voices of night	1985	Soprano & String Quartet	37	23

FOOTNOTES (from above) 1. premiered at Tufts University in 1988 2. premiered in the Little Kresge Theatre, M.I.T. in 1983 May 3. dedicated to Kenneth Sarch, Revised in 1977, it was first performed M, HÃ¶lschky, Stuttgart, F.R.G in 1981, and by Nancy Cirillo in a 1982 NEWCOMP concert in Cambridge, MA 4. premiered by M. Hoelschky, Stuttgart, Germany 5. dedicated to Liora Sarch, performed at New England Conservator in 1968 6. first piano pieces 7. premiered during a NEWCOMP concert in Cambridge, MA in 1988 by Bill Mallone; A second performance was given by Clint Smith at New England Conservatory of Music, Boston, MA., in 1990 8. dedicated to, pianist Max Lifschitz who commissioned it, has been performed at the University of Albany, N.Y. in 1990, Boston, MA., in 1990, and in Arnhem, The Netherlands in 1989 9. written for Gunther Schuller, performed at New England Conservatory in 1968 10. premiered during the 1981 International Computer Music Conference at North Texas State University, Denton, TX. U.S.A (Thomas Clark, Conductor). The European premiere took place at the 1982 Darmstadt Ferienkurse fÃ¼r Neue Musik, Darmstadt, Germany (Robert Platz, Conductor) 11. performed at Composers' Forum, New York City, 1969 12. premiered by Lutz Herbig, and broadcasted in Tanglewood, MA. in 1967; and at North Texas State University, Denton, TX, by Thomas Clark in 1981 13. premiered in a NEWCOMP concert at Kresge, M.I.T., Cambridge, MA., in 1983 14. commission of dance company CHOREO for a concert entitled Performance in Real Time, held on April 26, 1986, in Cambridge, MA. 15. written for & dedicated to virtuoso Robert Black, Hartford; premiered in Delft, Holland, in 1984, by Robert Black. subsequently presented at NEWCOMP, Boston, MA, New york, NY, the New Music Festival at State University of Buffalo, Buffalo, NY, and at the Zentrum fÃ¼r Kunst und Medientechnology Karlsruhe, Germany 16. performed at New England Conservatory in 1968, and at a Composer's Conference in Bennington College, VT, in 1969. 17. written for the cellist Jay Humeston, and premiered at New England Conservatory of Music, Boston, MA 18. first performed by the Pittsburgh New Music Ensemble, David Stock conductor, in 1972 19. premiered at Oslo Conservatory of Music, Oslo, Norway, 1973 20. sung by Neva Pilgrim 21. sung by Neva Pilgrim 22. premiered during a 1983 NEWCOMP concert in Little Kresge Auditorium, M.I.T., in Cambridge, MA., by soprano Joan Heller 23. dedicated to Annelise Laske, premiered by Neva Pilgrim and the Tremont Quartet during a NEWCOMP concert of 1986