List of Un-preformed and/or Un-Recorded Compositions
Category |
Name of Composition |
Year |
Instrumentation |
Pages |
See Footnotes # at bottom of page |
A cappella |
Erhalt uns Herr bei deinem Wort |
1964 |
Double Soprano, Alto & Baritone |
5 |
1 |
Kyrie Eleison |
1968 |
18 Female and 18 Male Voices |
32 |
2 |
|
Nachtstücke |
1981 |
12 Voices |
95 |
3 |
|
Quatre Fascinants |
1971-72 |
3 Altos & 3 Tenors |
14 |
4 |
|
Quatre Fascinants |
1972 (1992) |
3 Altos & 3 Tenors |
39 |
5 |
|
Tristis est anima mea |
1968 |
Mixed Choir |
8 |
6 |
|
Choreography |
Vitre |
1973 |
One & More dancers |
21 |
7 |
Instrumental |
De Aegypto |
1965 |
Tenor & Chamber Orchestra |
42 |
8 |
Fluctuations |
1982 |
Flute |
13 |
9 |
|
How Time Passes |
1969 |
Chamber Orchestra |
98 |
10 |
|
Interchanges for 2 pianos | 1985 | Two Pianos | 30 |
11 |
|
Piano Piece no. 2 | 1977 (1969) |
Piano | 17 |
12 |
|
Piece for organ and percussion | 1998-99 | Organ & Percussion | 70 |
13 |
|
String Quartet no. 2 | 1991 /92 | 2 Violins, Viola, Violoncello | 41 |
14 |
|
String Quartet no. 3 | 1992-97 | 2 Violins, Viola, Violoncello | 71 |
||
Transitions [for dancers & instruments; graphic score] | 1967 | 3 Dancers, Clarinet, Guitar & Percussion | 15 |
15 |
|
Instruments with Voice | Incantation I [soli, choir, & instruments] | 1967 | 2 Sopranos, Alto, Tenor, Choir & Chamber Orchestra | 9 |
16 |
Large Orchestra | Symmetries for Orchestra | 1982 | Large Orchestra | 91 |
|
FOOTNOTES (from above) 2. won first prize in the 1969 Gaudeamus Festival in Bilthoven, The Netherlands. 3. requiem for composer's father, Willi P. Laske 4. text by Rene Char 5. revised and renotated version 6. first performance in Utrecht, The Netherlands, in 1971 7. for one or more dancers; uses Laban notation; dedicated to the late Philippa Cullen 8. text by Ezra Pound 9. premiered during a NEWCOMP concert in Cambridge, MA (no recording available), subsequently presented in Stuttgart, Darmstadt (Germany), Warsaw, Krakow (Poland) and Brno (Czechoslovakia); dedicated to the late Kimball Stickney. 10. comprises Piano Piece no. 2 11. the last movement is dedicated to Peggy Brightman 12. integral part of How Time Passes 13. composer's first organ piece 14. fragment (2 movements) 15. graphic score using Laban notation, fragment 16. graphic score, fragment |